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Clear Cut Press

The Clear Cut Future

edited by Clear Cut Press

With color and B&W illustrations

Pages: 528
ISBN: 0-9723234-1-4

Price: $12.95

Size: 4 1/8" x 5 7/8" x 1"

Estimated Time To Ship: 1 day

This anthology maps the territory of interest to Clear Cut Press, more or less. It includes fiction, memoir, poetry, polemical essays, lyrical research, archival texts, photography, painting, and other arts. Among the contributors are Stacey Levine, Charles D’Ambrosio, Steve Weiner, Emily White, Rebecca Brown, Robert Glück, Pravin Jain (a former Enron executive), Casey Sanchez (a fish slimer), Wouter Vanstiphout (winner of the 2002 Masskant Prize for young architects), photographers Robert Adams and Ari Marcopoulos, painter Michael Brophy, many widely published authors, and others whom you’ll know well in the future. Matt Briggs provides a specially commissioned index.

Excerpts from the text:
"Mountains face our living room window, their unsolicitous peaks white and blue; the neighborhood is silent because it was made that way. Barry sits in his armchair, reviewing cases. I steal to him, tilt the brown drink in his mug, pinch the little string overhanging his pocket and tug, pulling more, then more, coiling the cord upon the floor. So much came out of Barry, it is hard to say—"
—Stacey Levine, from "The World of Barry"

"Last night I cooked brisket with potatoes, cabbage, and carrots, and feeling reluctant I bought myself a fifth of vodka. At the liquor store I asked the Indian woman, Do you know who I am, and when she said no, two people, an older couple, came up to the register, and then she asked who am I and I said rather coyly, Jasmine, and that I thought that people were lying about me. After this she said, I don't know you, so why should I lie about you?"
—Patrick Bissell, from "The Sweet Gift"

List of Contributors:
Stacey Levine
Wesley Wehr
Emily White
Frances McCue
Robert Adams
Lisa Robertson
The Office for Soft Architecture
Howard W. Robertson
Robert Glück
Pravin J. Jain
Patrick Bissell
Corrina Wycoff
Nhien Nguyen
Casey Sanchez
Diana George and Nic Veroli
Ari Marcopoulos
Wouter Vanstiphout
Gerard Hadders
N. E. Thing, Co.
Michael Brophy
S. A. D. Puter
Rebecca Brown
Charles D’Ambrosio
Grant Cogswell
Steve Weiner
Sam Lohmann
Tiffany Lee Brown
Jordana Rosenberg

"One of the most novel elements of Enron's design was to compel employees to promote their deals inside the company, simply to gain access to company resources. No one was entitled to anything. Support groups such as legal and finance could allocate their efforts based on their own estimation of a deal. If they chose right and supported a high-stakes deal that succeeded, they made a lot of money when the dealmaker handed out his rewards. This created interesting dynamics about trust—how could you sell a deal without giving away control and still make it attractive enough to gain coveted resources? The net overall effect of these dynamics was the awesome competitive energy generated in every part of the company. Manipulating others, devising spins and stories, doing whatever it took to move a deal forward were all part of this ruthless, tribal, capitalistic culture."
—Pravin J. Jain, from "Capitalism Inside an Organization"

"There is one version of today in which I remove my smoky scarf and am an accidental Adam: galled twigs and blighted, brittle apples sounding hollow at the teeth, less than fiction at the tongue, manipulated at the throat ballooning in a mushy note, manipulation of the song, the breath: ‘Eat right. Sleep tight. Stay young.' "
—Sam Lohmann, from "Versions"

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